The Evolution of Luis Eduardo Aute's Style and Themes in 41 Albums

Luis Eduardo Aute Discografia 41 Albunes

Introduction

Luis Eduardo Aute was one of the most prolific and versatile Spanish singer-songwriters of the 20th and 21st centuries. He was also a film director, actor, sculptor, writer and painter. He was born in Manila, Philippines, in 1943 and died in Madrid, Spain, in 2020. He recorded 41 albums throughout his career, spanning from 1967 to 2016, covering a wide range of genres, themes and styles. In this article, we will explore his discography and highlight some of his most remarkable works.

Luis Eduardo Aute Discografia 41 Albunes

Who is Luis Eduardo Aute?

Luis Eduardo Aute was a multifaceted artist who expressed himself through different forms of art. He started as a painter and a filmmaker, but he also wrote songs for other artists, such as Massiel, who won the Eurovision Song Contest in 1968 with "La La La", a song co-written by Aute. He decided to record his own songs in 1967, influenced by the French chanson, the Latin American nueva canción and the Spanish folk music. He soon became one of the leading figures of the Spanish singer-songwriter movement, known as "la canción de autor", which emerged during the Franco dictatorship as a form of social and political protest.

What are his main musical influences and styles?

Aute was a restless and curious musician who experimented with different musical genres and styles throughout his career. He was influenced by artists such as Jacques Brel, Leonard Cohen, Bob Dylan, Joaquín Sabina, Silvio Rodríguez and Paco Ibáñez. He also incorporated elements from rock, pop, jazz, blues, soul, reggae, flamenco, tango, bolero and classical music into his songs. He was known for his poetic lyrics, which often dealt with topics such as love, death, eroticism, politics, religion and philosophy. He also used metaphors, irony and humor to convey his messages.

Why is his discography so extensive and diverse?

Aute was a prolific songwriter who recorded 41 albums in almost 50 years of career. He also released several live albums, compilations and collaborations with other artists. He never stopped creating and exploring new musical horizons. He said that he considered each album as a chapter of a book that he was writing with his songs. He also said that he liked to challenge himself and surprise his listeners with each new work. He once declared: "I don't like to repeat myself. I like to reinvent myself every time."

The 1960s: The Beginnings

Diálogos de Rodrigo y Gimena (1967)

This was Aute's debut album, which he recorded at the age of 24. It consisted of 12 songs inspired by the medieval Spanish poem "El cantar de mio Cid". The album was a dialogue between Rodrigo Díaz de Vivar, also known as El Cid Campeador, a legendary Castilian nobleman and military leader, and his wife Gimena. The songs reflected the love story between the two characters, as well as their historical context. The album was influenced by the French chanson and featured acoustic guitar arrangements.

24 Canciones Breves (1968)

This was Aute's second album, which he recorded in Paris with the help of French musicians. It consisted of 24 short songs that lasted less than two minutes each. The album was a collection of sketches that portrayed different aspects of life, such as love, loneliness, nostalgia, dreams and death. The album was influenced by artists such as Jacques Brel and Georges Brassens and featured piano and accordion accompaniments.

Rito (1969)

This was Aute's third album, which he recorded in London with the help of British musicians. It consisted of 12 songs that explored the theme of eroticism from different perspectives. The album was a daring and provocative work that challenged the moral norms of the Franco regime. The album was influenced by artists such as Leonard Cohen and Bob Dylan and featured electric guitar and organ arrangements.

The 1970s: The Consolidation

Espuma (1974)

This was Aute's fourth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that continued the exploration of eroticism from his previous album. The album was a sensual and poetic work that celebrated the pleasures of the flesh and the spirit. The album was influenced by artists such as Serge Gainsbourg and Marvin Gaye and featured soul and funk arrangements.

Forgesound (1976)

This was Aute's fifth album, which he recorded in collaboration with other Spanish singer-songwriters: José María Munarriz, Rosa León, Julia León and Teddy Bautista. It consisted of 12 songs that were inspired by the cartoons of Antonio Fraguas de Pablo, also known as Forges, a famous Spanish humorist who satirized the Spanish society and politics of the time. The album was a humorous and critical work that denounced the injustices and absurdities of the Franco regime. The album featured folk and rock arrangements.

Babel (1976)

Sarcófago (1976)

This was Aute's seventh album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that explored the theme of death from different angles. The album was a dark and somber work that reflected the anguish and despair of living under a dictatorship. The album was influenced by artists such as Nick Drake and Tim Buckley and featured acoustic guitar and piano arrangements.

Albanta (1978)

This was Aute's eighth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that expressed his hope and optimism for a better future after the death of Franco and the transition to democracy. The album was a bright and joyful work that celebrated the freedom and diversity of the Spanish people. The album was influenced by artists such as Joan Manuel Serrat and Pablo Milanés and featured folk and pop arrangements.

The 1980s: The Experimentation

De Par en Par (1980)

This was Aute's ninth album, which he recorded in London with the help of British musicians. It consisted of 12 songs that showed his interest in experimenting with new musical sounds and techniques. The album was a creative and innovative work that incorporated elements from rock, jazz, blues, reggae and electronic music into his songs. The album was influenced by artists such as David Bowie, Pink Floyd and The Police and featured electric guitar, saxophone and synthesizer arrangements.

Fuga (1981)

This was Aute's tenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that formed a conceptual work based on the idea of escape. The album was a complex and ambitious work that explored different ways of escaping from reality, such as dreams, drugs, madness, love and death. The album was influenced by artists such as The Beatles, The Doors and The Rolling Stones and featured orchestral and rock arrangements.

Cuerpo a Cuerpo (1984)

This was Aute's eleventh album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that focused on the theme of love from a physical and sensual perspective. The album was a passionate and erotic work that celebrated the pleasures of the body and the soul. The album was influenced by artists such as Prince, Michael Jackson and Marvin Gaye and featured soul and funk arrangements.

Nudo (1985)

This was Aute's twelfth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that formed a conceptual work based on the idea of knot. The album was a symbolic and poetic work that represented the ties that bind us to ourselves, to others and to life. The album was influenced by artists such as Leonard Cohen, Bob Dylan and Joaquín Sabina and featured acoustic guitar and piano arrangements.

Templo (1987)

Templo (1987)

This was Aute's thirteenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that explored the theme of religion from a critical and personal point of view. The album was a controversial and provocative work that questioned the dogmas and rituals of different faiths, as well as his own beliefs and doubts. The album was influenced by artists such as John Lennon, George Harrison and Silvio Rodríguez and featured folk and pop arrangements.

The 1990s: The Recognition

Segundos Fuera (1992)

This was Aute's fourteenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that formed a conceptual work based on the idea of boxing. The album was a metaphorical and philosophical work that represented the struggle between life and death, love and hate, reason and passion. The album was influenced by artists such as Bruce Springsteen, U2 and Sting and featured rock and pop arrangements.

Slowly (1992)

This was Aute's fifteenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that were sung in English for the first time in his career. The album was a tribute to his Anglo-Saxon musical influences, such as Bob Dylan, Leonard Cohen and Elvis Presley. The album featured acoustic guitar and piano arrangements.

Animal (1994)

This was Aute's sixteenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that expressed his animalistic side, his instinctive and primal impulses. The album was a wild and energetic work that celebrated the power and beauty of nature and life. The album was influenced by artists such as Jimi Hendrix, Led Zeppelin and Nirvana and featured electric guitar and drums arrangements.

Alevosía (1995)

This was Aute's seventeenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that explored the theme of betrayal from different angles. The album was a bitter and cynical work that denounced the hypocrisy and corruption of society and politics. The album was influenced by artists such as Tom Waits, Lou Reed and Frank Zappa and featured blues and jazz arrangements.

Aire/Invisible (1998)

This was Aute's eighteenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of two CDs: Aire, which contained 12 songs that were sung in Spanish; and Invisible, which contained 12 songs that were sung in English. The album was a dual and complementary work that reflected his bilingualism and biculturalism. The album featured folk and pop arrangements.

The 2000s: The Maturity

Querencias (2001)

This was Aute's nineteenth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that were covers of his favorite songs by other artists, such as Jacques Brel, Leonard Cohen, Bob Dylan, Joaquín Sabina, Silvio Rodríguez and Paco Ibáñez. The album was a homage and a recognition to his musical influences and friends. The album featured acoustic guitar and piano arrangements.

Alas y Balas (2003)

Alas y Balas (2003)

This was Aute's twentieth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that expressed his pacifist and humanist vision of the world after the 9/11 attacks and the Iraq War. The album was a political and social work that denounced the violence and injustice of war and terrorism. The album was influenced by artists such as Bob Marley, John Lennon and Joan Baez and featured reggae and folk arrangements.

Auterretratos Vol.1 (2004)

This was Aute's twenty-first album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that were re-recordings of some of his previous songs, but with new arrangements and interpretations. The album was a personal and intimate work that reflected his artistic evolution and maturity. The album featured acoustic guitar and piano arrangements.

Auterretratos Vol.2 (2006)

This was Aute's twenty-second album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that were re-recordings of some of his previous songs, but with new arrangements and interpretations. The album was a personal and intimate work that reflected his artistic evolution and maturity. The album featured acoustic guitar and piano arrangements.

Memorable Cuerpo (2007)

This was Aute's twenty-third album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that were duets with other Spanish singer-songwriters, such as Joaquín Sabina, Ana Belén, Miguel Ríos and Ismael Serrano. The album was a collaborative and friendly work that celebrated his musical influences and friends. The album featured folk and pop arrangements.

The 2010s: The Legacy

Intemperie (2010)

This was Aute's twenty-fourth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that expressed his concern and solidarity for the victims of the global economic crisis and social inequality. The album was a committed and compassionate work that advocated for a more humane and fair society. The album was influenced by artists such as Woody Guthrie, Pete Seeger and Bob Dylan and featured folk and rock arrangements.

El Niño que Miraba el Mar (2012)

This was Aute's twenty-fifth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that formed a conceptual work based on the idea of childhood. The album was a nostalgic and poetic work that recalled his memories and emotions from his early years in Manila. The album was influenced by artists such as Antonio Machado, Federico García Lorca and Pablo Neruda and featured acoustic guitar and piano arrangements.

Claroscuros y otros Pentimentos (2014)

This was Aute's twenty-sixth album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that were re-recordings of some of his previous songs, but with new arrangements and interpretations. The album was a personal and intimate work that reflected his artistic evolution and maturity. The album featured acoustic guitar and piano arrangements.

Canciones de Amor y Destrucción (2016)

Canciones de Amor y Destrucción (2016)

This was Aute's twenty-seventh and last album, which he recorded in Madrid with the help of Spanish musicians. It consisted of 12 songs that expressed his feelings and thoughts about love and destruction, two concepts that he considered inseparable and contradictory. The album was a profound and emotional work that reflected his personal and artistic legacy. The album was influenced by artists such as Antonio Vega, Luis Alberto Spinetta and Leonard Cohen and featured acoustic guitar and piano arrangements.

Conclusion

Luis Eduardo Aute was a unique and remarkable artist who left a lasting mark on the Spanish and Latin American music scene. He was a versatile and creative musician who experimented with different genres and styles throughout his career. He was a poetic and philosophical songwriter who wrote about topics such as love, death, eroticism, politics, religion and philosophy. He was a prolific and diverse artist who recorded 41 albums in almost 50 years of career. He was a respected and admired artist who influenced and collaborated with other artists from different generations and backgrounds. He was a legend and a master who will always be remembered and honored by his fans and peers.

FAQs

What was Luis Eduardo Aute's first album?

His first album was Diálogos de Rodrigo y Gimena, which he recorded in 1967.

What was Luis Eduardo Aute's last album?

His last album was Canciones de Amor y Destrucción, which he recorded in 2016.

How many albums did Luis Eduardo Aute record?

He recorded 41 albums throughout his career, spanning from 1967 to 2016.

What were some of Luis Eduardo Aute's musical influences?

Some of his musical influences were Jacques Brel, Leonard Cohen, Bob Dylan, Joaquín Sabina, Silvio Rodríguez and Paco Ibáñez.

What were some of Luis Eduardo Aute's musical genres and styles?

Some of his musical genres and styles were chanson, nueva canción, folk, pop, rock, jazz, blues, soul, reggae, flamenco, tango, bolero and classical music.